Friedensreich Hundertwasser - The collection of dreams larva "Painting is dreaming. When I paint, I dream. When the dream comes to an end, do not remember anything of what I wanted to see, but the picture remains. It is the collection of the dream. " An artist who is fully within the project / path Emotional Painting "BIG MY WAY" started with Miro. Saturday, October 13th. Rome from 15 to 19 Eur 8 8 meetings with famous artists to express, discover, reveal larva the artist that is in you.
NOT 'NEED TO KNOW HOW TO PAINT. You can participate in all laboratories or even just your favorite artist. By reservation only for a maximum of 10 people. all dates here Friedensreich larva Hundertwasser (1928-2000) A world chromatically vibrant, highly decorated, where dreamlike elements are combined with immediately recognizable but whose interpretation is strettente linked to his thought. An original thought, almost revolutionary. If his works stylistically reminiscent to Schiele, Klimt, Klee conceivably pose as something completely new. The Austrian artist uses art to proclaim his love for nature, trees, water, a passion that led him to disseminate these elements in his work and turns it into one of the fathers of the environmental movement today . Of his work affects larva the abundance of round shapes, circles and spirals. "The spiral is the symbol of life and death. It is located exactly at the point where the inanimate matter is transformed into life. " (FH 1974) Windows and doors recur and also define the formal reality of the artist and the importance for each tenant to enjoy an opening for light and air. Organizing its work around this artistic credo-ecological, Hundertwasser creates evocative visions, rich in meaning. "I want to paint a paradise for people that anyone can get, just grab it. Heaven is here, but we destroy it. I want to demonstrate larva how easy it is to get at the bottom of heaven on earth. " This artist, so little similar to others, he translated his ideas in architectural projects in Austria, Switzerland, Germany, Japan, paintings, watercolors, ceramics, prints, tapestries, lithographs, etchings, serigraphs, Japanese woodcuts, some of which were using up to 31 different colors. "In 1965 I decided to devote myself to the graphics in order to reach a greater number of people. I wanted to make them happy, give them beautiful and useful things ... However I have always been repelled the concept of duplication, the fact that graphic work is printed a number of copies equal. I wanted each collector possessed my original work only. In the age of the duplication, I can be proud to be the first to have given another function to the printing process and then to have defeated the massification. It 'was a gigantic undertaking. This is my biggest win. " Perhaps, one might add, his greatest legacy. source
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