The doctor architecture: Hundertwasser blind - Econote.it
Creativity Architecture Art Cinema Events Illustrations Shots Vignette ECOnote presents blind Words Stories Dictionary blind Books Riciclopedia Ecological Sustainability Environment Climate Marketing Podcast Radio News Renewable Technologies Science Travel Special Bioecologico Kitchen Living Animals Fashion & Beauty Mum and Dad Waste Savings and degrowth blind
"The new alliance between man and nature can not be accomplished if the architecture does not become the catalyst. For this to happen the respect for nature can not remain a concern technical, but must become a poetic content. "
He gained notoriety for his daring color in paintings, is now more widely renowned for his revolutionary architectural designs, which incorporate natural blind features blind of the landscape.
No other artist has worked as him for the protection of the environment and for living in harmony with nature. His commitment to ecological originated even before the birth of the environmental movement (famous is its decoration on the 'incinerator blind in Vienna Spittelau, 1988-1997)
In the fifties and sixties and develops his own unique form of language, with its "manifest" attacks the rationalism of 'architecture struggling for an architecture closer to nature blind and to human scale and stands in contrast to the rising currents of 'Abstract Expressionism.
Hits in his works both pictorial and architectural abundance of organic round shapes, circles and spirals, the latter considered a symbol of the cycle of life and the "spiral", in particular, finds his form of expression for the conventional nature: path, through a close relationship with creation, blind brings man into a new dimension.
His works are very colorful, decoratively twisting, reflect his confrontation with nature and society, exude feelings and convey strong emotions, where the imagination enters into a parallel world of dreams.
The right angle symbol of cubism and rationalism, it becomes spiritual poverty, reality stripped and Puritanism, so that in its Manifesto environmentalist, The right of the window, the duty of the tree (1972), Hundertwasser states that "the straight line is sacrilegious. "
"Nowadays blind we live in a chaos of straight lines, in a jungle of straight blind lines immoral. The level and the meter should be banned, they are the symbol of ignorance and the symptom of the disintegration of our civilization. " FH
With this attitude, Hundertwasser calls into question the principle that the use of a good construction technique blind is the only way to achieve blind a 'quality architecture: on the contrary, must be placed in the foreground the psychological reactions and feelings that human derive from architectural images.
In his posters declaring "sick" the city claims the right of individuals to recognize their home from the outside and therefore the possibility of pleasure to paint the walls around their windows, invites you to feel "at blind home king" and for this builds fabulous domes above the buildings restructuring, shows the need to provide space for fantasy and young children, places where you can write on the walls and play, expresses the desire to build a different balance with nature itself as a vanguard of ecological design and incorporating in its buildings trees and natural materials so the windows popping up in the branches of trees that were not killed to make room for the house, and hanging gardens on the roofs arise host vegetation before the houses he lived in the places where he was building.
Indeed buildings Hundertwasser easily enter in symbiosis, almost in mimicry, with the natural result of a series of recurring expedients, such as a roof planted, the variety of colors and the skyline organic and diversified.
For the Viennese Master 's environment is the main source of inspiration: once selected the site, the building that you grow will have to conform to it and enhance it by highlighting its peculiarities. Today, in the era of eco-housing and sustainable development, they return more than ever his theories.
The effect that it has along the architecture of the Master is neither shocking nor sensational: his works stem from visits to the rather strong emotions due to the humanization of forms and, above all, to the colors that stand out as if they were on a large canvas.
Just for the ability to manipulate the surfaces and volumes, as well as for the sake of color, the work of Hundertwasser reminiscent of the works of the Catalan architect Antoni Gaudi or b
Creativity Architecture Art Cinema Events Illustrations Shots Vignette ECOnote presents blind Words Stories Dictionary blind Books Riciclopedia Ecological Sustainability Environment Climate Marketing Podcast Radio News Renewable Technologies Science Travel Special Bioecologico Kitchen Living Animals Fashion & Beauty Mum and Dad Waste Savings and degrowth blind
"The new alliance between man and nature can not be accomplished if the architecture does not become the catalyst. For this to happen the respect for nature can not remain a concern technical, but must become a poetic content. "
He gained notoriety for his daring color in paintings, is now more widely renowned for his revolutionary architectural designs, which incorporate natural blind features blind of the landscape.
No other artist has worked as him for the protection of the environment and for living in harmony with nature. His commitment to ecological originated even before the birth of the environmental movement (famous is its decoration on the 'incinerator blind in Vienna Spittelau, 1988-1997)
In the fifties and sixties and develops his own unique form of language, with its "manifest" attacks the rationalism of 'architecture struggling for an architecture closer to nature blind and to human scale and stands in contrast to the rising currents of 'Abstract Expressionism.
Hits in his works both pictorial and architectural abundance of organic round shapes, circles and spirals, the latter considered a symbol of the cycle of life and the "spiral", in particular, finds his form of expression for the conventional nature: path, through a close relationship with creation, blind brings man into a new dimension.
His works are very colorful, decoratively twisting, reflect his confrontation with nature and society, exude feelings and convey strong emotions, where the imagination enters into a parallel world of dreams.
The right angle symbol of cubism and rationalism, it becomes spiritual poverty, reality stripped and Puritanism, so that in its Manifesto environmentalist, The right of the window, the duty of the tree (1972), Hundertwasser states that "the straight line is sacrilegious. "
"Nowadays blind we live in a chaos of straight lines, in a jungle of straight blind lines immoral. The level and the meter should be banned, they are the symbol of ignorance and the symptom of the disintegration of our civilization. " FH
With this attitude, Hundertwasser calls into question the principle that the use of a good construction technique blind is the only way to achieve blind a 'quality architecture: on the contrary, must be placed in the foreground the psychological reactions and feelings that human derive from architectural images.
In his posters declaring "sick" the city claims the right of individuals to recognize their home from the outside and therefore the possibility of pleasure to paint the walls around their windows, invites you to feel "at blind home king" and for this builds fabulous domes above the buildings restructuring, shows the need to provide space for fantasy and young children, places where you can write on the walls and play, expresses the desire to build a different balance with nature itself as a vanguard of ecological design and incorporating in its buildings trees and natural materials so the windows popping up in the branches of trees that were not killed to make room for the house, and hanging gardens on the roofs arise host vegetation before the houses he lived in the places where he was building.
Indeed buildings Hundertwasser easily enter in symbiosis, almost in mimicry, with the natural result of a series of recurring expedients, such as a roof planted, the variety of colors and the skyline organic and diversified.
For the Viennese Master 's environment is the main source of inspiration: once selected the site, the building that you grow will have to conform to it and enhance it by highlighting its peculiarities. Today, in the era of eco-housing and sustainable development, they return more than ever his theories.
The effect that it has along the architecture of the Master is neither shocking nor sensational: his works stem from visits to the rather strong emotions due to the humanization of forms and, above all, to the colors that stand out as if they were on a large canvas.
Just for the ability to manipulate the surfaces and volumes, as well as for the sake of color, the work of Hundertwasser reminiscent of the works of the Catalan architect Antoni Gaudi or b
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